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注释。文档和注释是同样正确的事情。我最近在学习 Dojo，我发现它的代码文档是无价的。当然，文件的水平将取决于你的项目的公开程度，但是我认为过度的文档永远不会是坏事。

我猜Nettuts +的绝大多数读者做客户端的工作，无论是作为一个自由职业者或以其他方式。那么为什么不另外获取一些被动收入呢？Envato（译者注：自由职业者创建的著名公司，旗下有销售类、教程类和博客类的网站）有十个市场，在这里任何具有合适技能的人都可以获利。为ThemeForest（译者注：国外知名设计网站）构建一个主题，为CodeCanyon写一个脚本，其潜在价值永无止境。当然，如果你的技能不适合Envato市场，或者即便可以，还有其他许多方法可以产生被动收入。例如如果你是一个作家，可以试试Tuts+ Premium（译者注：一个学习设计、Web开发技术的网站）。他们一直在寻找充满激情的新教师。

在市场或个人网站上销售项目是一个聪明的方式，可以被动地获取一些额外的现金，同时你还能做自己享受的事情。

到目前为止，前面的每一个决定是你可以做的一些事情来改善你作为开发者的技能。我会密切指出，你要成为一个优秀开发者可以做的最好的事情之一就是不要成为一个开发者。。。在有些时候。有时候需要戴上一顶完全不同的帽子。保持甚至和开发毫不相关的一项爱好，而且最好不要涉及电脑。玩某种乐器，阅读，写作，开拓厨艺。不管你做什么，留下一些放松的时间。当你这样做时会发现，编程问题的解决方案往往出现在休息时间。

当然，定时休息是很重要的，还有那些一年几次更长时间的休假。此外扔了那些年度计划！

好了，这就是Web开发者应做的十项决定的清单。你觉得有哪些不在我的名单上？让我们在评论中来听听这些意见！

奥斯卡最佳原创歌曲

发表于 2011 年 12 月 17 日由 acein

1927/8 – n/a
1928/9 – n/a
1929/30 – n/a
1930/1 – n/a
1931/2 – n/a
1932/3 – n/a
1934 – “The Continental” (“THE GAY DIVORCEE”) – Herb Magidson, Con Conrad
1935 – “Lullaby of Broadway” (“GOLD DIGGERS OF 1935″) – Harry Warren, Al Dubin
1936 – “The Way You Look Tonight” (“SWING TIME”) – Dorothy Fields, Jerome Kern
1937 – “Sweet Leilani” (“WAIKIKI WEDDING”) – Harry Owens
1938 – “Thanks for the Memory” (“THE BIG BROADCAST OF 1938″) – Ralph Rainger, Leo Robin
1939 – “Over the Rainbow” (“THE WIZARD OF OZ”) – E. Y. Harburg, Harold Arlen
1940 – “When You Wish upon a Star” (“PINOCCHIO”) – Ned Washington, Leigh Harline
1941 – “The Last Time I Saw Paris” (“LADY BE GOOD”) – Oscar Hammerstein II, Jerome Kern
1942 – “White Christmas” (“HOLIDAY INN”) – Irving Berlin
1943 – “You’ll Never Know” (“HELLO, FRISCO, HELLO”) – Harry Warren, Mack Gordon
1944 – “Swinging on a Star” (“GOING MY WAY”) – Johnny Burke, James Van Heusen
1945 – “It Might As Well Be Spring” (“STATE FAIR”) – Richard Rodgers, Oscar Hammerstein II
1946 – “On The Atchison, Topeka & The Santa Fe” (“THE HARVEY GIRLS”) – Harry Warren, Johnny Mercer
1947 – “Zip-A-Dee-Doo-Dah” (“SONG OF THE SOUTH”) – Ray Gilbert, Allie Wrubel
1948 – “Buttons and Bows” (“THE PALEFACE”) – Ray Evans, Jay Livingston
1949 – “Baby, It’s Cold Outside” (“NEPTUNE’S DAUGHTER”) – Frank Loesser
1950 – “Mona Lisa” (“CAPTAIN CAREY, U.S.A.”) – Ray Evans, Jay Livingston
1951 – “In the Cool, Cool, Cool of the Evening” (“HERE COMES THE GROOM”) – Johnny Mercer, Hoagy Carmichael
1952 – “High Noon (Do Not Forsake Me, Oh My Darlin’)” (“HIGH NOON”) – Ned Washington, Dimitri Tiomkin
1953 – “Secret Love” (“CALAMITY JANE”) – Paul Francis Webster, Sammy Fain
1954 – “Three Coins in the Fountain” (“THREE COINS IN THE FOUNTAIN”) – Jule Styne, Sammy Cahn
1955 – “Love is a Many-Splendored Thing” (“LOVE IS A MANY-SPLENDORED THING”) – Paul Francis Webster, Sammy Fain
1956 – “Whatever Will Be, Will Be (Que Sera, Sera)” (“THE MAN WHO KNEW TOO MUCH”) – Jay Livingston, Ray Evans
1957 – “All The Way” (“THE JOKER IS WILD”) – Sammy Cahn, James Van Heusen
1958 – “Gigi” (“GIGI”) – Frederick Loewe, Alan Jay Lerner
1959 – “High Hopes” (“A HOLE IN THE HEAD”) – Sammy Cahn, James Van Heusen
1960 – “Never On Sunday” (“NEVER ON SUNDAY”) – Manos Hadjidakis
1961 – “Moon River” (“BREAKFAST AT TIFFANY’S”) – Johnny Mercer, Henry Mancini
1962 – “Days of Wine and Roses” (“DAYS OF WINE AND ROSES”) – Johnny Mercer, Henry Mancini
1963 – “Call Me Irresponsible” (“PAPA’S DELICATE CONDITION”) – Sammy Cahn, James Van Heusen
1964 – “Chim Chim Cher-ee” (“MARY POPPINS”) – Robert B. Sherman, Richard M. Sherman
1965 – “The Shadow of Your Smile” (“THE SANDPIPER”) – Johnny Mandel, Paul Francis Webster
1966 – “Born Free” (“BORN FREE”) – Don Black, John Barry
1967 – “Talk to the Animals” (“DOCTOR DOLITTLE”) – Leslie Bricusse

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